Jaipur's most distinct feature is it's nondescriptiveness. A bland city of commerce with no sense of fun, except private parties to which the many DJ shops are a testament. Jaipuris seem as all other Indians I've met, except that their smile is not as readily available as in other parts that I've been to. There are very few foreigners in Jaipur and many Indian tourists filling the saree, jewelry, gems, bangles and fabrics shops. It looks like a transient city, whose sole purpose is to move goods. This focus makes it different from previous places I've been where there is more balance between the material and the spiritual. Large, long and identical looking bazaar streets crowded with shoppers who spill into smaller side alleys which remind me of the equivalent atmosphere in Israel: Hertzel St. And it's small alleys, the difference being in the merchandise. As Nir's daughters were shopping for jewelry, one such side trip took us into an pseudo-agricultural area of several alleys with cows (lots of dung) and fruit packing. We were invited by a Muslim owner of a banana storage facility to take pictures of his proud endeavor. Large and neat piles of green bananas were covered with canvases on which were placed large blocks of ice. Mr. Muhhamad explained that it took 5 days of storage and refrigeration for the bananas (from Gujarat) to mature to yellow and then they were ready for shipping.
Keeping the indian tradition of contrasts, Jaipur has it's pearls. One such pearl is the private S.R.C Museum of Indiology run by the son of the founder. The father, who was an Indian renaissance man, had travelled the world and occupied himself with varied forms of art from painting to alchemy. His life's ambition was to save Indian heritage artifacts and for one man's life work it was an impressive collection. I cannot list here the number of paintings, coins, religious, astrology, astronomy, architecture and other fine items from all over India. However several pieces were really exceptional. One was a magnificent wooden base about coffee table size that held a baby bed on a swing, 2.3 meters tall. The elaborate construction was painted in detail and inlaid with mirrors, gold paint and animal wood sculpts. It even had a small set of bells to ring when the cradle was rocked.
Another exceptional piece was a painting comprised of vertical triangular wooden strips, laid next to each other. When looking at the picture from the left, you see all the faces of the triangle of one side only. When you walk to the right you see the other faces. Both sides depict a different picture. This is similar to Agam's technique, only that the indian picture is from the 19th century. Other items included a water clock that measures 3 hours and holy books written in miniature with ink and the hairs of animals used as pens.
I also learned from the knowledgable proprietor that a: my bronze statue at home of an Indian goddess was of Nepalian origin and b: Shiva's famous Trisul (kilshon) turned upside down refers to a vagina (as a complement to the Shivalingam). The big house, explained our guide, could hold only 10% of the entire collection. But the Indian government had allocated land for a new museum that would hold 80%. See you in 2013.
Another surprise was the amount of Homeopathic dispensaries and even a remedies manufacturing shop. I never saw so many remedies and potencies so readily available. In Israel you have to wait a few hours at best and not all remedies are available. That was cool.
Best Lassi so far was here in Jaipur. Jaipur was the only place so far where I was explicitly asked for tips in the guest house.
Churu
After Jaipur, Nir looked for a less trouristy space and homed in on the next stop: Churu - 300km west of Jaipur. The swift 7 hour public bus trip landed us at 21:30 in a rural town with a Muslim 'feel'. The first thing I noticed were the tricked out auto-rikshaws. Instead of the plain and battered ones in Delhi, these were elaborately painted and at night displayed flashing colorful led lights. A Hifi stereo blasted modern Indian music as we 4 with our baggage clambered onto a single Rikshaw to a recommended hotel.
As we gathered around the reception and asked for accommodation, the clerk first exchanged some words with a seated gentleman next to us who seemed to command respect and after a few words said that they are full. Probably full of @&$! as most of the keys to the rooms were hanging on their nails and this was not a party town. At 22:00 there was nothing to do but stay in. So this was the first time I did not feel welcome in India (except the beit chabad incident in Dharamsala).
Following another failed attempt at lodgings, we sipped Chai at a late night Tea stall, collapsed in our chairs with our bags collapsed on the sidewalk, a man on a motorcycle saw our strange group and offered to scout a place for us. After a while he reappeared with a minivan that took us to a gated and walled guest house. After a short shower, under a roaring ceiling fan, I fell asleep exhausted.
Next morning, the sound of the Mouazzin confirmed the fact that it is a mixed town of Hindus and Muslems. Whether due to the demographics or culture, the feel here is more austere and serious. Most people do not smile at us but some do. English is rudimentary here including local signs. Cars are outnumbered by auto-rikshaws and mule-drawn Tela's.
We hired a Rikshaw driver for few hours to get a tour of the surroundings which told of the city's glorious past. And what a past it must have been. The old part of town is a large neighborhood of resplendent houses from the 17 and 18th century. Obviously very
Rich people lived here but now all the buildings are abandoned and run down. Here and there some workers are busy with restorations but the task seems limitless compared to the number of houses. Every house is painted in detail, depicting important people, soldiers on horses, camels and different scenes. Several had long wall paintings of the famous When I say every house, I mean the is no white wall anywhere inside or out, everything is hand painted. Every inch of these buildings is a testament to opulence and self importance. We were allowed into one of the houses that was being restored and were even more awed at the interiors, which looked like an Indian version of Louis XIV. The large and tall rooms contained all the original furnishings, lamps, carpets and paintings from the 18th & 19th century. It would have made a fine museum. The stark contrast of these interiors of the past and the current surroundings says: this place once was. Now it looks like an abandoned 'Neve Tzedek'.
The tour took us also to several temples, including a Shiva Pani (water) temple, where a large man-made and sloping canal created a pool of water at it's end; The water being part of this temple's rituals in the past.
The view of the town from a high roof reminded me of an old European city.
After a water soaked day before and a night under a powerful ceiling fan, I finally succumbed to cold. We all got a cold. The next morning I started eating garlic and a homeopathic boost from Nir hoping to get better by the next day when we all go back to Delhi. I stayed in all day and after a weak and miserable night sans fan (during which the bhajans sung at 3am sounded from far away very much like the sounds coming from a synagogue) I felt better. On the road again.
August 21
